“The Stendhal Syndrome” – is a specific condition of the human psyche, characterized by too deep immersion in works of art (painting, sculpture), which can lead to a temporary loss of one’s personality, blurring the line between reality and fantasy. In the film, such a syndrome is suddenly revealed in a young woman, Anna, who works for the Italian police and investigates the case of a serial killer. But it so happens that the maniac himself starts hunting for a chaser …[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/4″][/vc_column_inner][/vc_row_inner][vc_empty_space height=”52px”][/vc_column][/vc_row][vc_row][vc_column][default_slider custom_desktop_height=”540px” custom_mobile_height=”360px” slide_autoplay=”” slide_nav=”” slides=”%5B%7B%22text_align%22%3A%22middle_center%22%2C%22text_color%22%3A%22%23000000%22%2C%22sub_text_color%22%3A%22%23000000%22%2C%22bg_color%22%3A%22%23eeeeee%22%2C%22bg_image%22%3A%2214980%22%7D%5D”][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”52px”][vc_row_inner type=”boxed”][vc_column_inner width=”1/4″][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text css_animation=”fadeIn”]”Giallo” as a subgenre of Italian horror films died in the late ’80s, and it left its bloody mark on cinema. However, in 1996 with The Stendhal Syndrome, Dario Argento (who began his film career writing spaghetti westerns) revived it from the ashes and the viewers once again saw a wonderfully staged thriller filled with gothic, mystical, surreal and brutal scenes. For the main role in the film, the director casted his daughter – Asia Argento, and entrusted the music to the great maestro – Ennio Morricone.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/4″][/vc_column_inner][/vc_row_inner][vc_empty_space height=”52px”][/vc_column][/vc_row][vc_row][vc_column][vc_row_inner content_placement=”middle” type=”boxed”][vc_column_inner width=”1/2″][vc_column_text]
The Stendhal Syndrome (La sindrome di Stendhal)
Director: Dario Argento
1996. (Italy)
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